For a group of four New York friends, the past decade has been defined largely by marriage and motherhood—but it wasn’t always that way. Growing up, Amy, Jill, Roberta, and Karen were told by their mothers that their generation would be different. “You girls will be able to do just about anything you want, ”Amy’s mother had predicted. And for a while, this was true. Amy and her friends went to good colleges and began careers as lawyers, film producers, bankers, and artists. But after they got married and had babies, they decided for a variety of reasons to stay home, temporarily, to raise them.
Now, ten years later, at age forty, with their children older and no longer in need of their constant presence, and without professions through which to define themselves, the four friends wonder how they got here—in lives so different from the ones they were brought up to expect—and why they have chosen to stay so long.
As the women redefine their relationship to their children and husbands—and reevaluate their former selves—a lifetime’s worth of concerns opens up, both practical and existential, and questions begin to surface: Is simply being a mother enough? Does a lack of motivation for returning to work signal a weakness in character? Is it possible—or even desirable—to “have it all,” to be an attentive mother, a loving wife, and a successful professional? And if not, is the choice of motherhood over career a betrayal of the hard—fought victories of the women who came before? A carefully observed character study set in the context of the evolution of the feminist ideal over the last several decades, Meg Wolitzer’s The Ten-Year Nap uses the lives of these four friends to explore the breadth and complexity of women’s experiences in the post-feminist era.